Among Steven’s 2017 “Pere et Fille” series, Pere, the larger vessel, stands out as a bold exploration of form and texture. Crafted from raw, natural clay and fired in oxidation, its 11.75″ x 19″ x 10″ stature exudes a grounded presence. Absent of glaze, the surface reveals a symphony of natural hues – a grayish-white…
It was around 1999 that began Steven began making tall vessels he called Sanctuary Jars. In one sense the title suggests something protective such as a container for various kinds of foods that could be considered the staff of life, things such as grains, rice, flour, etc. However, on another level they suggest something almost…
Made of raw, natural clay in oxidation firing. Finished size 9.5” x 6” x 6”. In a private collection, used with permission. Except for the brown on the top of both pieces, there is no glazing. A ground of grayish white is laid down as the pieces were on the wheel creating subtle horizontal banding.…
“Plate with Circle” (1982) exudes a quiet charm among the artist’s early works. Crafted from porcelain, its size echoes its companion “Plate with Square.” A black circle sits precisely at its center, mirroring the plate’s form. A matching ring graces the edge, completing the circular theme. Yet, the magic lies in the delicate details. Pastel…
This 3″ x 14″ x 14″ oxidized pottery piece offers a striking display of contrasting colors and textures. Delicate hand-drawn marks incised into the surface reveal a vibrant blue and green underlayer, creating a dramatic interplay against the muted exterior. The meticulous precision of the incised lines allows the hidden colors to peek through, their…
Standing at 19 inches tall and crafted in 1999, “Sanctuary Jar in Gray” exudes a sense of quiet contemplation. Its cylindrical form, emphasized by horizontal bands of gray and white, radiates both stability and subtle movement. Deeper blue bands mark the top and bottom, framing the composition with a touch of boldness. But the key…
The Coffee Pot, 1992 (13” x 7” x 12”) stands out not just for its size, but for its whimsical design. Bold colors bathe the pot’s surface, but the true attention grabber is the central motif – a giant question mark. Unlike the more defined markings on other pieces from the same year, this symbol…
Vessel with Blue Markings (2018, 14.5” x 8” x 11”) presents a captivating visual dialogue. Its lower half explodes with dynamic blue brushstrokes against a watery backdrop, while the upper section stands in stark contrast. Capped in brown and glazed stark white over a vibrant blue, it reveals hints of its vibrant underbelly through intricate…
